a series of prints by Shubigi Rao.

Prints Available:
(from top to bottom)

Gestating
Etching, aquatint and mixed media on Tiepolo paper
35 x 25 cm
Edition of 20
2013

A Pregnant Pause
Etching, aquatint and mixed media on Tiepolo paper
35 x 25 cm
Edition of 20
2013

Arcadian Scenery
Etching, aquatint and mixed media on Tiepolo paper
25 x 35 cm
Edition of 20
2013

Octopod
Etching, aquatint and mixed media on Tiepolo paper
25 x 35 cm
Edition of 20
2013

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About The Artist

Artist and writer, Shubigi Rao, makes layered installations of books, etchings, drawings, pseudo-scientific machines, metaphysical puzzles, video, ideological board games, garbage and archives, and has been exhibited and collected in Singapore and internationally. Her interests include archaeology, neuroscience, libraries, archival systems, histories and lies, literature and violence, ecologies and natural history. Her immersive and tongue-in-cheek books, artworks and installations range from creating archaeological archives of garbage, writing How To manuals for building a nation and a culture from scratch, discovering and diagnosing peculiar forms of urban malaise where digital dandruff and pixel dust accumulate like lint and cloud the contemporary brain, building immortal jellyfish, to pseudo-museums regenerating mechanisms of knowledge accumulation, storage, and destruction.

Notable exhibitions include the solos The Wood for the Trees (2018), Written in the Margins (2017) The Retrospectacle of S. Raoul (2013), and Useful Fictions (2013). Group shows include About Books at AlbumArte, Rome (2018), the Signature Art Prize finalist exhibition at National Museum Singapore, (2018), Ghost on the Wire 2 (2016), Dear Painter (2015), Urban:ness (2015), Modern Love (2014), Still Building (2012), Singapore Survey: Beyond LKY (2010), Found and Lost (2009), Singapore Art Show at the Singapore Art Museum (2007), Second Dance Song (2006), Appetites for Litter: the 8th emerging artist show at PKW (2006), and New Contemporaries (2005).